I am elated to finally share the video of my berimbau trio, “Ondulação,” which will be featured on Projeto Arcomusical’s new album! Our album, Spinning in the Wheel, includes new works by Elliot Cole, Greg Beyer, Kyle Flens, and myself. This is one of the many gorgeous videos that accompany the album, shot for us by Four/Ten Media. Not only do I believe that the videos offer a visual complement to the music, but Four/Ten was able to capture the joy that we have when we all play music together in Projeto Arcomusical, and I cherish that very much.
For more information about Spinning in the Wheel, or to order a pre-release copy, please click here. Spinning in the Wheel officially releases on March 8th on National Sawdust Tracks! Hope you can make it to one of our three album release shows:
It’s finally here! Projeto Arcomusical is ecstatic to be releasing our sophomore album, Spinning in the Wheel, next Friday, March 8, on National Sawdust Tracks! This album features new music by Elliot Cole, Greg Beyer, Kyle Flens, and myself. Many thanks to Dan Nichols of Aphorism Studios for his masterful engineering as well as Ben Wahlund for his keen ear as album producer. Spinning in the Wheel was recorded in summer 2018 at Kiwi Audio in Batavia, IL.
There will be three album release shows in Illinois and New York! Below are links for each event:
Big shoutout also to Evan Chapman and Kevin Eikenberg at Four/Ten Media for their absolutely stunning videos that feature tracks from our new album! Here is the first video release, the fourth movement of Elliot Cole’s “Roda:”
This Thursday, February 7th, I will present my newest trio for hammered dulcimer, guitar, and cello at the Yale School of Music. “Kenai” is inspired by and dedicated to my Uncle Dave, who gifted me his hammered dulcimer about four years ago. I will be performing with Nicoletta Todesco on guitar and Tanner Porter on cello. Looking forward to my first premiere at Yale!
Program Notes for Kenai:
This piece is dedicated to my Uncle, Dave, for being the first person to introduce me to the hammered dulcimer. When my uncle gifted me his hammered dulcimer a few years ago, I knew I wanted to honor this gift with an unique composition. My goal for this piece was to playfully highlight the slight differences between duple and triple rhythmic patterns, as well as explore the combined wide range and nuanced sounds of the cello, guitar, and hammered dulcimer. Uncle Dave, I hope someday you are able to move up to the Kenai Peninsula, your dream home.
It was such an honor to present this year about equitable representation of women and nonwhite composers in K-12 band and orchestra repertoire at the Illinois Music Education Conference! Our session was well-attended and received lots of positive feedback, but it was also such a treat to spend time with my dear Illinois music education friends and colleagues! Huge thanks to Dr. Mary Lynn Doherty and Dr. Chrissie D’Alexander for believing in this project and presenting with me.
Here is the list of programming resources we offered during our presentation. This is not an exhaustive list, but these resources will certainly help anyone who is looking to make their concert programming more representative of the students in their community and classroom:
The International Alliance for Women in Music (iawm.org)
It was an absolute dream on December 12th to be honored with the Morton Gould Young Composer Award and asked to perform at the ASCAP Foundation Honors at Jazz at Lincoln Center! There was so much talent and pure joy at the event, and it is certainly a night that I will never forget. I am truly humbled with the recognition from ASCAP Foundation.
The piece that earned the award was Meia: A Song Cycle for Berimbau. This song cycle includes six pieces ranging from solo through sextet and can be found on the Innova Recordings album, MeiaMeia. Individual pieces in the song cycle, Meia, include:
um só (performed at Jazz at Lincoln Center for this event)
The video for my drum set and electronics piece, “Post-Lightened,” is now up on the Vic Firth YouTube page!!!! Thank you so much to Evan Chapman for commissioning this piece, trusting me with one of my first big electronics projects, and putting together this INCREDIBLE video!
Also, if you’re at PASIC this week, you can also come say hello at the Living Room Music booth in the expo hall and take a look at this score as well as many others if you’re interested in performing it!
This evening, Minnesota-based quartet Zeitgeist will premiere “The North Star,” for clarinet/bass clarinet, piano, and 2 percussion. It is such an honor to be working with an ensemble that has built a legacy of over 40 years of performing, commissioning, outreach, and advocacy for new music. They will also perform “The North Star on October 13-14 as a continuation of the Here and There: Zeitgeist and No Exit Ensemble series, as well as another performance in Duluth, MN as part of the Greenlight New Music Festival. More information about GNMF can be found here.
Program Notes for “The North Star:”
“The North Star” serves as a historical and cultural tour of Minnesota’s main industries: logging, mining/shipping, agriculture, and manufacturing/technology. Inspired by traditional folk music, cultural records, state anthems, and binary computer and Morse codes, this work celebrates Minnesota and its important contributions to the United States, past and present. “The North Star” was composed for Zeitgeist, a Minnesota-based, musical icon.
Movement 1 quotes the melody from Minnesota logger Michael Cassius Dean’s, “The Falling of the Pine.” Movement 3 quotes the state song, “Hail! Minnesota,” composed by Truman E. Rickard and Arthur E. Upson. Both pieces are in public domain. Access to the sheet music was available through the Minnesota Folksong Collection and Office of the Minnesota Secretary of State (accessed in summer 2018 online).