Projeto Arcomusical Sophomore Album, “Spinning in the Wheel,”on National Sawdust Tracks

Album art by Evan Chapman, photography by Ethan Martin

It’s finally here! Projeto Arcomusical is ecstatic to be releasing our sophomore album, Spinning in the Wheel, next Friday, March 8, on National Sawdust Tracks! This album features new music by Elliot Cole, Greg Beyer, Kyle Flens, and myself. Many thanks to Dan Nichols of Aphorism Studios for his masterful engineering as well as Ben Wahlund for his keen ear as album producer. Spinning in the Wheel was recorded in summer 2018 at Kiwi Audio in Batavia, IL.

There will be three album release shows in Illinois and New York! Below are links for each event:

March 7th – Northern Illinois University, DeKalb, IL

March 10th – National Sawdust, Brooklyn, NY

March 17th – Constellation, Chicago, IL

You can pre-order Spinning in the Wheel on bandcamp here.

Big shoutout also to Evan Chapman and Kevin Eikenberg at Four/Ten Media for their absolutely stunning videos that feature tracks from our new album! Here is the first video release, the fourth movement of Elliot Cole’s “Roda:”

Newest Trio, “Kenai,” to Premiere at Yale School of Music on February 7th

This Thursday, February 7th, I will present my newest trio for hammered dulcimer, guitar, and cello at the Yale School of Music. “Kenai” is inspired by and dedicated to my Uncle Dave, who gifted me his hammered dulcimer about four years ago. I will be performing with Nicoletta Todesco on guitar and Tanner Porter on cello. Looking forward to my first premiere at Yale!

Program Notes for Kenai:

This piece is dedicated to my Uncle, Dave, for being the first person to introduce me to the hammered dulcimer. When my uncle gifted me his hammered dulcimer a few years ago, I knew I wanted to honor this gift with an unique composition. My goal for this piece was to playfully highlight the slight differences between duple and triple rhythmic patterns, as well as explore the combined wide range and nuanced sounds of the cello, guitar, and hammered dulcimer. Uncle Dave, I hope someday you are able to move up to the Kenai Peninsula, your dream home.

Presentation at the 2019 Illinois Music Education Conference

It was such an honor to present this year about equitable representation of women and nonwhite composers in K-12 band and orchestra repertoire at the Illinois Music Education Conference! Our session was well-attended and received lots of positive feedback, but it was also such a treat to spend time with my dear Illinois music education friends and colleagues! Huge thanks to Dr. Mary Lynn Doherty and Dr. Chrissie D’Alexander for believing in this project and presenting with me.

Here is the list of programming resources we offered during our presentation. This is not an exhaustive list, but these resources will certainly help anyone who is looking to make their concert programming more representative of the students in their community and classroom:

2018 ASCAP Foundation Honors Ceremony

It was an absolute dream on December 12th to be honored with the Morton Gould Young Composer Award and asked to perform at the ASCAP Foundation Honors at Jazz at Lincoln Center! There was so much talent and pure joy at the event, and it is certainly a night that I will never forget. I am truly humbled with the recognition from ASCAP Foundation.

The piece that earned the award was MeiaA Song Cycle for Berimbau. This song cycle includes six pieces ranging from solo through sextet and can be found on the Innova Recordings album, MeiaMeia. Individual pieces in the song cycle, Meia, include: 

um só (performed at Jazz at Lincoln Center for this event)

Descobertas por pau e pedra


Queda de quatro

Mudança de onda

Apenas seja

Evan Chapman Releases Video for Post-Lightened on Vic Firth YouTube Channel

The video for my drum set and electronics piece, “Post-Lightened,” is now up on the Vic Firth YouTube page!!!! Thank you so much to Evan Chapman for commissioning this piece, trusting me with one of my first big electronics projects, and putting together this INCREDIBLE video!

Also, if you’re at PASIC this week, you can also come say hello at the Living Room Music booth in the expo hall and take a look at this score as well as many others if you’re interested in performing it!

Zeitgeist to Premiere “The North Star” October 12 at Studio Z

Details for October 12-14 Performances at Studio Z

This evening, Minnesota-based quartet Zeitgeist will premiere “The North Star,” for clarinet/bass clarinet, piano, and 2 percussion. It is such an honor to be working with an ensemble that has built a legacy of over 40 years of performing, commissioning, outreach, and advocacy for new music. They will also perform “The North Star on October 13-14 as a continuation of the Here and There: Zeitgeist and No Exit Ensemble series, as well as another performance in Duluth, MN as part of the Greenlight New Music Festival. More information about GNMF can be found here.

Program Notes for “The North Star:”

“The North Star” serves as a historical and cultural tour of Minnesota’s main industries: logging, mining/shipping, agriculture, and manufacturing/technology. Inspired by traditional folk music, cultural records, state anthems, and binary computer and Morse codes, this work celebrates Minnesota and its important contributions to the United States, past and present. “The North Star” was composed for Zeitgeist, a Minnesota-based, musical icon.

Movement 1 quotes the melody from Minnesota logger Michael Cassius Dean’s, “The Falling of the Pine.” Movement 3 quotes the state song, “Hail! Minnesota,” composed by Truman E. Rickard and Arthur E. Upson. Both pieces are in public domain. Access to the sheet music was available through the Minnesota Folksong Collection and Office of the Minnesota Secretary of State (accessed in summer 2018 online).

Alex Richard to premiere “Graphic Content No. 3” on September 21

Photo Credit Alex Richard

Percussionist Alex Richard will premiere “Graphic Content No. 3” this Friday on her senior recital at University of Tennessee-Knoxville. This is the third graphic score I have created as part of the ongoing “Graphic Content Series.” Alex commissioned this piece from me earlier this year, and I cannot wait to hear her interpretation of the score! She even used the score as her poster art for the recital! Live webcast streaming services are available through the University of Tennessee-Knoxville School of Music website on the day of the performance.